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On Art Therapy, Change & Healing Racism: An Interview with Salina Cobbin, LMFT

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On Art Therapy, Change & Healing Racism: An Interview with Salina Cobbin, LMFT

The following interview was conducted in early December 2020.

Maria Elena Marquez: What inspired you to become an art therapist?

I guess when I went into the field, I knew I would be facing lots of trauma and lots of other things to deal with. But for some reason, it never crossed my mind that I’d also be dealing with politics and how that will intersect.

Salina Cobbin: I was taking a creative writing course at UCLA Extension. At the time, I was interested in writing and exploring that. We would get assignments and with every assignment we did, although it was all fiction, I would see a piece of myself in my writing or a part in the story even though it wasn’t my intention [to insert myself]. I started to realize that writing truly is a form of art — and in every form of art is a piece of you. Whether you’re intending to or not, whatever you create ends up being a representation of your self — it is still a representation of your self. Soon I started to think about how cool it would be to have a studio where people are creating art and then there’s a professional that comes around to help guide you and support you. I thought I invented art therapy (laughs). And then I started Googling things and found out that it is a real practice; a real, existing profession. (laughs). I looked into it further, and I went to various orientations for grad programs. The school that I ended up going to was less than 7 minutes away from my house at the time. I thought it was all meant to be. Meant to be. That is kinda how I landed in art therapy.

Maria Elena: I love your story! So, through the creative writing process, you felt like you really could see parts of yourself. Through that viewing of your self, you were able to imagine things and you thought of a studio where people could engage in their own creative processes. 

Salina: Yeah, a place where people could express themselves freely and create art. I imagined someone trained a bit more in psychology who could guide people through self-discovery and art-making. I thought about the importance of it being a community space. I wasn’t initially thinking ‘a therapist’ necessarily…I thought I could figure this out and do it myself. But then I discovered art therapy and it clicked — “Oh, this is a real thing!”

Maria Elena: What about that initial dream of creating a community space for self-discovery do you feel like you presently hold on to?

Salina: I guess I’ve distanced myself from that idea of a community space right now because I’m looking at my goals that are right in front of my face. While working in agencies and in my own private practice, I’ve been trying to fine tuning the demographic that I want to work with… which I do feel like I’ve been able to do. Because I’m such a methodical person, once that is off the list, then I can work towards something that feels like an even bigger vision.

Maria Elena: So, you’re fine-tuning your understanding of the population that you’re most able to serve…the population that you really enjoy working with…so what does that look like — what is that population? 

Salina: In the beginning of my career, I went into it thinking that I wanted to work predominantly with at-risk youth. But I’ve learned that I work better with adults. I really like working with people of color and working on how all these different parts of your life shape your identity…whether it’s past traumas, your ethnic background, or different experiences. I think it’s this whole idea of identity that I’m noticing I gravitate towards. I think because I’m bi-racial identity has always been a topic in my life. It’s something that I really love. But also I think it’s important to understand what kind of things shape us and how they impact our relationships to others…and how you see where you fit in and where you don’t fit in.

Maria Elena: Yes, I can see parallels between what you’re saying and how I enjoy working with single Latina women who are searching for their sense of self in their careers,  their sense of self in romantic relationships, or their sense of self or adulthood with their parents. Often there’s trauma or intergenerational trauma involved. When you find that population that is such a match for your personal and professional experience, it kinda feels like home.

Salina: It’s comforting and it’s also inspiring. I feel like when I’m with the clients that are such a great match, it’s really inspiring. 

Maria Elena: Yes! Okay, let’s shift gears. How have you been taking care of yourself during this time of the COVID pandemic? I know in the beginning, I was shocked. I was terrified…it was hard to grapple with taking care of my self while also being a therapist. And I felt so isolated from my friends and family that I normally lean on for love and support. But now I’m feeling more settled. I’m wondering how that process has been for you…maybe because you’re a planner it was less of a struggle…How was it? And now how are you doing with it all compared to the beginning?

Salina: Right, yeah. In the beginning, it was very shocking. All of a sudden, we had to pick up our things and go home. We didn’t have a lot of time to plan, which, yes, planning is kinda my thing. I mostly went into a mode of trying to be very structured. Structure is comforting for me. I did find that because I was so focused on setting up new structures that I wasn’t really addressing the underlying stress and other emotions that were coming up. Instead I was focused on the structure. And when I wasn’t or couldn’t stick to the structure, then I’d get upset. I realized a lot about myself — with all this change that happens (and change that isn’t coming from myself), that it causes me a lot of stress. I’m learning a lot more about just letting things be….and learning to stop fighting against the change. It stills comes up but this stance has helped decrease some of the stress. In the beginning, it was all change, change, change…work structure change, changing work policies, going virtual. I was just like “I don’t wanna do that!” But my resistance to change was making me even more upset. Also trying to work it out first…and then it if doesn’t work, complain later. This has been a big one for me. And also trying to connect with some people…mostly with family and with one of my cousins in particular. It’s been very different though just staying at home. Learning to be bored and being okay with being bored. That’s also been big in helping me cope. I try to do exercises here and there…a little inconsistently. And accept that things are a bit of a mess right now. That was a long answer!

Salina Cobbin, LMFT

Salina Cobbin, LMFT

Maria Elena: What are some things that you accomplished this year that you’re proud of? I know that 2020 has been a difficult year and it’s tough to think of the good when things are so challenging and when things we had in mind for ourselves have slowed down or been interrupted…but yeah, what are you proud of?  

Salina: Becoming licensed. That was a big accomplish this year! It’s true that I don’t really focus on the good as much. On a self-care, I’ve been mindful of eating and sleeping — and regulating that stuff…and finding ways to put self-care at the forefront. I think I’m doing much better with that. Hmm..I think also trying to figure what direction I’m going into, career-wise. I was confused for awhile. And now I know what to move more and more into private practice. 

Maria Elena: I would also like us to talk about politics given that 2020 was so marked by social, cultural, and political change and upheaval. I wonder what the white person reading this might better understand from the clients (people of color) that you work with — that your clients might be hurting and yet also proud to be who they are. This feels really important. I’m not sure where to begin but what are your thoughts? 

Salina: Yeah, it does feel important. There’s a lot to say. I guess I’ll start here…I have been reading this book recently and the topic is related to the current social climate and specifically with racial injustices and the Black Lives Matter movement. It talks about this whole idea of racism and how a lot of people who don’t understand are like ”Okay we get it, just move on…Why are you still reacting this way? Why are you still hurt? Why are you continually bringing up racism?”…this idea that slavery and therefore, racism is in the past. This book was talking about how in this country, it has never really been acknowledged…it has always been something swept under the rug, which differs from Germany. In Germany, they have actually acknowledged what happened to the Jewish people during the Nazi regime. The country has taken down statues that are offensive from that era. In America, they just don’t. It feels like it’s offensive in the US to even bring up taking down a confederate statue. There was a reference in the book that spoke to therapy…when you go to therapy, a therapist isn’t gonna tell you “Forget about the past.” No - we need to address what’s happened in the past in order to make changes. You would really do some damage as a therapist if you were to deny that past for someone. I think that is happening for a lot of people. The denial is damaging — it translates to “You’re not hearing me, you’re not understanding me, and you don’t care.” It does bring up a lot of feelings for people [of color]. That’s the first thing I wanted to say.

Maria Elena: What’s the title of the book that you’ve been reading? 

Salina: It’s called Caste by Isabel Wilkerson. Along with it, I was listening to the podcast that Oprah did with her. It’s very informative. 

We need to address what’s happened in the past in order to make changes. You would really do some damage as a therapist if you were to deny that past [full of racial injustices] for someone. I think that is happening for a lot of people. The denial is damaging — it translates to ‘You’re not hearing me, you’re not understanding me, and you don’t care.’ It does bring up a lot of feelings for people [of color].

Maria Elena: That’s so powerful - to give a space of healing to your clients and to allow them a space to say “My pain hasn’t been acknowledged. My ancestors’ pain hasn’t been acknowledged…and that’s why it’s still deeply embedded in me. And this country that I love and that should be free for all of us hasn’t acknowledged that.” It’s such a difficult time in our history to be a therapist but also what an honor. That’s so powerful. 

Salina: Right, absolutely. I guess when I went into the field, I knew I would be facing lots of trauma and lots of other things to deal with. But for some reason, it never crossed my mind that I’d also be dealing with politics and how that will intersect. Like you said, it is an honor. I also feel like I’m learning along with my clients. It’s nice to know that “Wow, this person feels safe enough to express this and also, thank goodness, because there aren’t many safe spaces, unfortunately, for all people without being invalidated or told that ‘Okay, we get it but….’” 

Maria Elena: Right, and sometimes even unintentionally a white therapist might feel uncomfortable and then quickly change the subject about race…and then the invalidation or denial is happening again and now with the person that I’ve told my deepest, darkest thoughts to. So, it’s amazing to see you…a woman who is an art therapist and a licensed marriage and family therapist, a woman who is bi-racial in this field. You can hold that and someone can say and be like “me too.” It might not even be said, but it is felt.

Salina: Clients will commentI don’t have to change the way that I speak when I’m in the session with you…because it’s not coming off as threatening or slang…it’s just the way that I speak with you.” It’s pretty cool.

Maria Elena: You’re amazing! Thank you so much for talking with me today. 


Salina Cobbin, LMFT, is an art therapist with a private practice in Studio City. She has personal and professional experience working with identity issues that arise for multi-ethnic/multi-cultural individuals, families, and single parents. 


Maria Elena Marquez, MA, is a bilingual (Spanish-English) Associate Marriage and Family Therapist, IMF #103470, working under the supervision of Brittany Kiko Reimann, LMFT. As an art therapist, Maria is passionate about helping clients unravel complex cultural beliefs and family pressures through the use of expressive arts.

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Humans of MHT: An Interview with Maria Elena Marquez

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Humans of MHT: An Interview with Maria Elena Marquez

Lauren Ziel: Hi Maria Elena! I am really excited to talk with you today about humanness. I think this is the second to last interview we’re doing with all of our clinicians. And the first question we lead off with in this series is: What does humanness mean to you?

Maria Elena Marquez: Great question. What does humanness mean to me...it's where I feel most grounded, the most connected…to myself. And in this case it means with food and those around me. So, for me humanness is a sense of calmness in myself.

L: You mention food and your connection with food as this space of feeling grounded, feeling connected…it's so interesting because that’s such a primal thing. It's in Maslow’s Hierarchy of Needs – it’s the baseline, you know. And on one hand it's survival but it can also be a way to connect socially and a lot of the activities we have are based around food. I am wondering for you how food is the mechanism to which you find your humanness. So, why is it FOOD for you?

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ME: Food for me is a place in which I can be in my five senses. I can look at this dish, I can smell it, I can see the smile of the person bringing it to me; and just talking about the ingredients, it takes me to a place; it either takes me to my childhood or to a place in my adulthood maybe where I am going to a new restaurant and trying a new dish and we’re both discovering this new dish together. So, it’s a sense of being connected to my past or just in this present moment and both of us are just enjoying this, and talking about it; talking about the ingredients and if anything feels familiar or totally not familiar to you. So, that’s the connection part for me  - the connection with the other person that’s sitting with me or a group of friends and we’re really just connecting and enjoying this present moment with this food and it's doing something, and just connecting to your emotions and your warmth in your body or the coolness when you're eating something like sushi… so that’s a little bit about my process with food.

L: I can see you light up when you talk about it. Like even as you describe it you are completely going into the memory of.  I mean, it radiates off of you! I was also thinking as you were talking it also sounds like a mindful meditation practice - using all of your five senses, being in the moment, if there is someone with you connecting with them in that moment. It just sounds like a really real-world practical way you can be mindful and present. I hadn’t thought about it in the context of food but there a little ‘light bulb’ moment.

So food being an extension of a place of grounding for you, I can totally see how that applies perhaps on a personal level, how does it show up for you in your work as a therapist?

ME: As my work as a therapist, I feel it really helps me be in the moment. When I am with clients I try to calm myself down in the process of looking at all these processes the client is going through. So it reminds me to calm down and go piece by piece, ingredient by ingredient with a client. And also I use it outside of therapy for me - it's my self-care - in actually making an intention to go out with someone or maybe by myself and try new food just to get me in the state of acknowledging what’s in front of me instead of always being in my head and trying to process client work. It’s really a place for me to calm myself down and just enjoy my surroundings, the person serving me, this dish. I feel it helps me to be more grounded and just more mindful of what’s in front of me, whether it’s a client or maybe an amazing dish. 

L: This is a little off the sheet perhaps but I’m really curious what’s a recent meal you had that just blew your mind because it reminded you of something or that it was completely new and exciting? I should have eaten before this…

ME: Well, a dish that took me back, or a restaurant that took me back to my roots, which is Salvadorian and Columbian, was actually a Mexican restaurant here in Highland Park. I was with a colleague and we had plantains and black beans, a nice queso fresco; we had some fresh avocado. And just the way it was plated was so beautiful. To me it was very simple, it was very humble because that’s the type of food I would have in El Salvador so it took me back. It was really nice.

I was eating with this coworker and I was able to go back with her and tell her a little bit about myself and a little bit about my culture. Though I was in a Mexican restaurant, all these ingredients and all the spices and how it was plated was so home-based that it was just a great way to start my day.

[It’s] a place in which I can be in my five senses. I can look at this dish, I can smell it, I can see the smile of the person bringing it to me...it’s a sense of being connected to my past or just in this present moment.
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L: I mean, I was thinking about kind of an analogy - you're in a Mexican restaurant but then there are all these familiar flavors - its almost as if…I mean, sometimes I find myself in front of a client and I don’t share their cultural background, or I don’t have parallel experiences to them, but there is always this sort of ingredient or this flavor of “I see you. I understand”. Anyways, that was a little off the cuff but… its really lovely to hear how food is this one connecting thing; how you bring your culture in your work with clients, how it helps you stay grounded, how it keeps you full so that you are able to be that for the clients that you have. Its just really awesome. I would have never thought ‘food’ but I totally see it now.

ME: Yeah! And that’s why we should make a date and have a group dinner, and we can really enjoy and dive in and be mindful and just engage with a different place within ourselves.

L: Love it. I love it. Well it was lovely to interview you here and I am definitely going to go have food now . But thank you Maria Elena. I appreciate it.

ME: You're welcome. Thank you.


Maria Elena Marquez, MA, is a bilingual Spanish-English Associate Marriage and Family Therapist, IMF #103470, working under the supervision of Michelle Harwell, PsyD, LMFT.  As an art therapist, Maria is passionate about helping clients unravel complex cultural beliefs and family pressures through the use of expressive art.


Lauren Ziel, MSW is a Registered Associate Clinical Social Worker, ASW #76483, working under the supervision of Gabrielle Taylor, PhD. Through the use of movement and mindfulness, Lauren develops specialized treatment for anxiety, depression, eating disorders, challenges in life-stage transitions, relational difficulties, and identity/intrapersonal development.

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Women of Style: Frida Kahlo

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Women of Style: Frida Kahlo

Kahlo remained curious about herself; often magically constructing her life with a brush
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Frida Kahlo is an icon. For me, she’s the embodiment of a powerful, fearless woman. Her unique self-portraits and works that depicted national struggle in Mexico have captivated audiences across the world. She was unafraid to mix fantasy and reality – and to express her vulnerability as a human being through her art.

Kahlo has profoundly affected so many threads of my life, including my own artistic expression and understanding of personal struggle. When I was a teenager, Kahlo’s surrealist style first spoke to me. I was enthralled by the paintings of her dreams, and I imagined how much courage it took for her to bring the unconscious to the surface. To this day, I am inspired by her open stance toward a full range of emotional experience.

Kahlo has also influenced my ideas about what it means to be a woman. She personified confidence and sensuality - not with nudity; rather by her strength and state of being “in between” femininity and masculinity. She modeled how one could live authentically and not conform to societal pressures.

As a “Woman of Style,” Kahlo often wore European and indigenous Mexican dresses, the details of which appeared in her artwork. The cultural dualism running through her own life experience is what made her an unforgettable artist.

Finally, Kahlo remained curious about herself; often magically constructing her life with a brush. As a Latina art therapist, I have learned how powerful it can be to stay in the metaphor of life and self expression through color, texture, fantasy, and culture. And I have learned that pain is a subjective reality in us all. She is my muse in so many ways – inspiring me to push the boundaries of self identity in a culturally dynamic and colorful way.

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Maria Elena Marquez, MA, is a bilingual Spanish-English Marriage and Family Therapist Intern, IMF #103470, working under the supervision of Michelle Harwell, PsyD, LMFT.  As an art therapist, Maria is passionate about helping clients unravel complex cultural beliefs and family pressures through the use of expressive art.

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Fear No Dragons

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Fear No Dragons

Envy is one of those complicated emotions; it can sneak up and slap you in the face, stalk you stealthily, or slowly simmer for years. Often it demands to be hidden, and brings along its friends doubt, shame and worthlessness. Something about envy has the impulsive feeling of a small child’s cry, “I WANT!”, while the adult in us may look on asking why, and wonder what will soothe this want. Envy has regular haunts – social media, for example, is a favorite hang-out – and often seems to want to emphasize our separateness or distance from others. It compares, contrasts, measures.

When greeted openly and without judgement, envy will likely be able to tell us things we didn’t realize before, help us to identify parts of ourselves that need attention and nurturing.

I often find it useful to consider where an emotion is felt in my body; perhaps in the pit of my stomach, in the tightness or droop of my shoulders, in my clenched fists or shaking knees, or hovering in my chest breathlessly. These somatic responses provide helpful clues for understanding more about my emotions. If envy lies coiled in my stomach, is there fear and hunger connected with it? If in my clenched fists, is it connected somehow with anger? If envy makes my shoulders droop, is there a feeling of hopelessness along with it?

Envy alone does not inspire, but it can motivate. While envy’s language is the primal “I want”, “I lack”, “I need”, it isn’t simply those states alone. Another clue! Envy itself demonstrates that emotionally we’ve grown up enough to add the aspect of self-inhibition. We no longer simply move from ‘want’ directly into grasping, with little thought between. The want exists, but we hold back. Clearly this in many ways is a positive social development, however if it also means inhibiting awareness of our want it may be self-harming. Hidden in the dark, envy is able to coerce and dominate us without our knowledge. Envy is not a pleasant feeling, and we therefore often shun it, run it out of town before asking where it came from. When greeted openly and without judgement, envy will likely be able to tell us things we didn’t realize before, help us to identify parts of ourselves that need attention and nurturing.

Envy, when partnered with more sophisticated friends such as acceptance, gentleness, and compassion, becomes transformed. In this transformed state, envy may even spur us into positive action. Through such compassionate reflection we strengthen our own agency, our ability to act in the world and to understand and meet our own needs, balanced with those of others.

I’m reminded here of quote from Rainer Maria Rilke which seems to perfectly capture the paradox of envy: 

“Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”  ― Rilke, Letters to a Young Poet

Perhaps, indeed, we can learn to greet envy as a helpful acquaintance able to point us towards unrealized paths in our lives.


Natalie Cargill, MA, MFT and Art Therapy Intern, has two decades of professional experience with children, adolescents, and families, and is passionate about helping them thrive. As a therapist, Natalie works with clients of all ages, approaching therapy with both individuals and families through relational models, seeking to understand attachment patterns, and the systems that impact them. 

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