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The Embeddedness of Racism in Psychoanalysis: An Interview with Dr. Veronica Abney

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The Embeddedness of Racism in Psychoanalysis: An Interview with Dr. Veronica Abney

Chelsea Small: Welcome. Thank you so much for being here and talking with me today about your work studying the experiences of Black psychoanalysts. I'm excited to learn more.

In your final paper for your doctoral degree, you mentioned that less than 2% of the psychoanalysts in America are Black. I'm curious if you could start by speaking a bit about the current racial landscape of the psychoanalytic world, its history, and some of the implications and meanings.

Veronica Abney, LCSW, PhD

Veronica Abney, LCSW, PhD

Dr. Veronica Abney: I think it's still a pretty racist profession. There seems to be, at least here in Los Angeles, a few more African Americans that are in the profession than since I trained…When I started here in LA, there was one Black analyst practicing. And that was it...They're more in New York. That seems to be a place where I think Black analysts are more welcomed in the general mental health community. I really want to do more interviews [to continue the research conducted for the dissertation] if I could ever find the time to do it, because I got more and more names as I went on, from word of mouth, and I discovered all these other people that I didn't know were there. It was a really daunting task to try to identify these people in the United States. I called Institutes and they tell me things like they don't know. You don't know? How could you not know if you have somebody Black? So, I went with the American [American Psychoanalytic Association], and they gave me four names. But, you know, a lot of Black analysts are not part of the American because of the way it is.

Chelsea: Yeah, those numbers do seem extremely low compared to other mental health practitioners, like social workers or Marriage and Family Therapists. My next question is about why that might be. In your paper you speak about analyzability and the primitive as mechanisms of racism that are specific to the psychoanalytic world, and the ways that it has created its own arm of the racist system. I'm wondering if you could briefly define for our audience the term analyzability and the notion of the primitive, and talk a little bit about how they have been used as a form of exclusion.

Veronica: Well, when I was in training in social work school, there was a way of talking about people that made them not as desirable as a patient. A lot of times, Black patients were seen as being just in need of supportive treatment. Not anything deeper; nor any uncovering work. And that comes from a really long time ago, when Blacks were seen as people who didn't have good impulse control, weren't articulate, and were not able to self reflect. They were just, you know, people from the jungle…When Jung came to the US for a visit at one point during the early 1900s, maybe around 1920 something, he said that Americans were really lucky to have Blacks to really study primitive peoples. That was just the way that they thought. And it went into practice. So, in practice that meant that you weren't appropriate for an analysis. Therefore, you couldn't be an analyst. So, who wants to join a profession that thinks of them that way? And these are the kinds of concepts and ideas that were in all of the mental health professions at some point…though their language may not have been as dramatic. They wouldn't come in, in 1970, and say “well this is a primitive jungle bunny,” that was a negative term for African Americans, they wouldn't say, this is a primitive person, they would just say, “They need a supportive treatment. They need something more concrete.”

Chelsea: And by saying someone needs supportive treatment they are basically saying that they're not capable of benefiting from analysis.

Veronica: Exactly right. I remember my best friend who, unfortunately is no longer here, but I remember when we were in social work school, she went to one of the institutes in Boston to get an analysis, and they turned her down. And she was the most neurotic person…But they turned her down. Because she was Latina. I had a colleague who once was told by her analyst that she didn't have an unconscious when they first started working, and now she does. I mean, I have never heard of anything so fucking stupid in my life.

Chelsea: It seems like that contradicts everything that analytic theory would suggest. How could she not have an unconscious?

Veronica: Because you're just id. That's how people of color were seen, as id. They had id. They didn't have good ego skills.  I was trained in ego psychology. Which was pretty rigid. But that was the feeling, ego skills are poor, and that there's not enough super ego. That's how they explained it, theoretically. I think that California therapists are much more radical in some of their approach to life. And they really rejected psychoanalysis because of that. Does that answer the question?

Chelsea: It does. It really speaks to the languaging of racism and to the sub-system that has maintained the analytic world as being very exclusive, very white, very privileged, very small. In some way, it feels like there is a closing in, when there could be so much benefit from analytic work being more accessible.

My next question is about theory and about the way that, since the psychoanalytic world has been so white…how Eurocentrism and white-centeredness has trickled down into the theory, and what’s missing from that body of work that has been developed so overwhelmingly by white people.e.

Veronica: Well, there's a lot missing. It's just another example of how racism is embedded in all of our systems. In every profession, one way or another. They had the theory, and they used their theory to say these people are not appropriate for this. They didn't have to do that. The theory didn't dictate that they view black people, in particular, in this way. They chose to use it that way. Bringing it to today, I think it's wonderful that we have theories that are more based on contextuality, we've got intersubjectivity, dynamic systems theory, these theories allow for a different explanation…All of us organize our lives, our experience, based on our cultural background, whether you know it or not. In the past we had theory that was, like you said, very Eurocentric. And there was no desire, or even thought about whether or not this would fit someone from a different background. Although there were people in Germany before the Second World War, who had a psychoanalytic clinic and they took in poor people. Because poor people were considered the same way as Black people. You know, you're not educated and you live in a dirty apartment and you're this or that—so they worked with people in a broader context. I think we could really do some great work right now if we could really look at the benefit of these of these theories for people who are different.

I think a lot of times when you work with people of color, you've got to deal with layers of trauma. In order for that safety to occur…So, we have to use our relationship and that's why it's really important for white therapists to really do their work. And not to hide behind, “I'm not a racist.” Because I know I have lots of prejudicial kinds of feelings. And I have to be aware of them, because I can’t overcome them if I’m not. I tell this story a lot of times when I teach, about this case I had many years ago. A child was admitted to the adolescent unit at UCLA and initially I was just the social worker on the case. Eventually, it became my case but that's another long story.

Anyway, I remember meeting the parents, the first day she came in and I had to do two sessions with them that day because they lived far away. And so, the first session, the dad comes in, and he's wearing Levi's and a big belt with huge buckle, and some kind of cowboy hat. And they were from the desert, and you know, we talk really bad about families from the desert at UCLA. The kids were a mess when they would come in because there really wasn't much care out there. And then it was a unique set of people that initially were living out in places like the Inland Empire. And so, I was like okay these are desert people. And the dad in the middle of the first session pulls a knife out of his pocket and starts cleaning his fingernails. And my first thought was “redneck.” So I just checked it in. And then the second session I had with them, the dad's age led me to ask him if he had been in Vietnam. And he said yes and I said, “What was that like for you?” And he started to sob. He said, not even his wife had ever asked him that. And we connected right there. And it was the beginning of a really great relationship. The child was in the hospital for nine months so we spent a lot of time together. And after that for years this family would send me little gifts for the holidays and things like that. If I had not logged in my mind, “redneck,” that initial reaction to him would have surfaced in a way that was not good for him. And by being aware of it, I was able to make sure that I was available to him. And that I was really taking good care of him and not just writing him off.  Because he would have been the kind of guy that would have been easy to write off just based on those descriptions I gave you, like pulling a knife out of your pocket. But I'm a believer in that we can't try to push those feelings down. We have to be aware of them, then we can overcome them.

Chelsea: That connects nicely to my last question which is about what you've seen work well. What have you've experienced that has worked well to make this field less racist or to confront some of the prejudice and racism that is in the air.

Veronica: Oh, I think you have to talk about it. It has to be out there…And so that's what I believe about how this has to be approached. We have to do—what now people are saying since what's been happening in our country—you have to do the work. And that white people have to do the work. It's not my job to teach you. It's your job to read, to study, to go out and have different experiences, and to ask serious questions, not questions like, “Well, What do I do?” Well, you know, I’m not in that room with you. But you could start by working on you, because then you will be open to understanding this person, to hearing this person, to not invalidating this person's experience. That's something that happens a lot for white therapists because it's a different experience. They think Black people are just being paranoid. Because we talk about having to deal with white people in these racist spaces and what it brings up for us…Those are the kinds of things I think a lot of times get therapists in trouble. They don't really understand or know the experience. They think we're in a fucking post racial society. And we're not. As you can see…And if people can just ignore that? What does that say to the other person? So maybe I'm saying that there's a component of this too, of doing some social justice work, of really putting yourself out there. That's my viewpoint about how to deal with it. It's not easy, people don't want to do it. [But] I think it is part of the moment that people are thinking more about this now wondering more, after seeing a man killed on their own television set.

 Chelsea: Thank you so much for your time and for sharing your mind with me and the MHT community.  

 Veronica: Take care. Bye. Bye.


Veronica Abney, LCSW, PhD, is a training and supervising psychoanalyst with the Institute of Contemporary Psychoanalysis-Los Angeles. She specializes in trauma associated with childhood sexual abuse and practices psychoanalysis and psychotherapy in the Los Angeles area. She works with preteens, adolescents, and adults.


Chelsea Small, LCSW, believes in the wisdom of the therapeutic relationship to ignite transformative growth. She has extensive experience working with people impacted by trauma, domestic violence, and the effects of emotional dysregulation.

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Home: A Process

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Home: A Process

This November, MHT is participating in the Miry’s List Friendsgiving Fundraising Drive. The money goes to programs that support refugee families that have been resettled in the United States. In tandem with these efforts, our clinicians are writing posts reflecting on what home means to them.

That process of coming home to my inner world and to an expanded vision for my self in the outer world was one very much marked by stumbling and meandering.
Taz Morgan

There was a process of coming home to my self that I was immersed in during the time that I ‘discovered’ the stack of books in my photo. I use quotations here for discovered because the books all somehow found me - through recommendations from trusted people in my life - more so than I found them. Each of their authors helped me to get in touch with my desire to become a psychotherapist after traveling along a much different career trajectory for years. That process of coming home to my inner world and to an expanded vision for my self in the outer world was one very much marked by stumbling and meandering.

I was (and will always be, I think) enamored with the idea that so much about the human psyche is unknowable - and yet since childhood I have had a hunger for knowledge about what makes us tick, grieve, or love. How does one become a person? What does it mean to be alive? What makes this life so painful and yet so rewarding at the same time? Many open-ended questions! These four books scratched some itches, but moreover, they initiated me into a deeper dialogue with ideas that had been swirling around in my head without much of a home to play in. It was a moving experience to encounter others, either from the past or present time, that were contending with these questions in such nuanced ways. It’s that sensation of finding something so right and so precise — it’s almost uncanny. Or the feeling of making a new friend when you have a moment of “No way, you too!? Wow, I thought I was the only one who _____.” Somehow the language that I found in these books reflected to me that I wasn’t alone and helped me remember that my mind was in relationship to other minds. They articulated things that I knew to be true in my gut, but unable to name with language before. This is what home signifies to me: it is a series of movements informed by resonance and reciprocity. And it’s a place to be known and understood - a place to be in dialogue - a place to be in process in a way that allows space for us to get to know ourselves and others over and over again. 


Taz’s Library (left to right):

-Quiet by Susan Cain

-Far from the Tree by Andrew Solomon

-Radical Acceptance by Tara Brach

-We’ve Had One Hundred Years of Psychotherapy and the World’s Getting Worse by James Hillman and Michael Ventura


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HERE'S HOW YOU CAN PARTICIPATE IN FRIENDSGIVING WITH US:

Give! Visit our Miry’s List campaign page and make a donation. It's that simple and no sum is too small. Truly.

Follow! Be sure to follow us on Instagram and our blog throughout the month of November. We will be reflecting on what it means to be welcomed, received, and known.

Share!  Help us spread the word. You can do this by sharing our social media posts or links to our Miry’s List Friendsgiving Fundraiser page.

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A little about Miry’s List:
Refugee families come to the United States seeking a safe haven from violence and persecution in their home countries. They leave behind family and friends, as well as virtually everything they own. Many Americans, seeing these families in their communities, wonder: What can I do to help? Miry's List provides a mechanism for people to directly help new arrival refugee families with the things that they need to get started in their new lives – from diapers to beds to cleaning supplies and toiletries. To learn more, visit miryslist.org.


Taz MorganMA, is an Associate Marriage and Family Therapist, IMF #99714, working under the supervision of Gabrielle Taylor, PhD. She has trained in Depth-oriented psychotherapy and works with adolescents, adults, and couples. 

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Humans of MHT: An Interview with Taz Morgan

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Humans of MHT: An Interview with Taz Morgan

Our Humans of MHT series continues with more glimpses behind the humans that sit in the chair across from you....

This time Abby invites Taz to contemplate the mysteries of being human and to discuss how practicing meditation and appreciating the arts has enriched her clinical practice. 

Taz: [laughs]

Abby: Hi Taz! It’s good to speak with you today. As you know, we are doing the series of Humans of MHT where we are looking at each different therapist and asking what humanness means to them and what human feature they bring to their practice. I’m excited to specifically talk with you because you know that I find you very interesting and I’m so curious just to start off by hearing...what does humanness mean to you?

T: I’m excited to be talking with you too, although you know I’m feeling anxious about this.

A: [laughs] Which is a human emotion.

T: Which is very human. I’ve been thinking about this question “What does humanness mean to you?” I kept coming back to – I really don’t know – or that what excites me about being human is the attempt to make meaning of what it means to be human. I kept thinking about, I think it’s the Rumi poem, basically saying, “This being human thing is a guesthouse.” So, there’s something about humanness to me that has a lot to do with mystery and not ever fully knowing why we’re here. But, I guess getting excited or feeling alive by the attempt to understand why we’re here.

A: I feel like this is your biggest strength as a therapist – you don’t just tolerate unknown, you sort of thrive in the unknown. And it sounds like that’s part of what you’re getting at when you think about this idea of humanness.

T: There is something uncertain or ambiguous about being human, and it makes us vulnerable to pain or loss and then there’s this other part of my understanding of humanness that’s important – it’s about imagination, too. That we have all this strength and resources to contend with the ambiguity...that we have our imaginations to build bridges in what sometimes feels like an abyss. I think what has helped me make sense of my experience is the arts or humanities, and I look to films, or philosophy, or literature to kind of get an understanding of what it means to be human. So, I think those things to me give me the most answers or solace, not conclusions, but they help me contend with the ambiguity.

People come to therapy often because something is hurting, something is painful, and I think what I get from meditation and from the arts is this real understanding that pain is not pathological, that it doesn’t necessarily mean that something is wrong with you, but that you’re having a human experience.

A: This feels related to what you picked for your humanness feature, which was the practice of mindfulness and meditation. I wonder how that practice that you picked fits into this idea of humanness to you.

T: Part of the reason why I chose it as something that represents my humanness is because I feel like I have a very imperfect relationship with meditation. Like it’s not a thing – I mean recently I’ve been trying to do it every day, but I don’t feel like I’ve had this perfect, easy relationship with it, it’s been kind of complicated. And I like that it represents a place where I’ve found a certain home. In meditation I have a place to just go, it’s like a container for thoughts, feelings, sensations, and it’s expanded my relationship to myself. I found meditation, or stumbled upon it, because I was really trying to, I think, improve myself or eliminate the feelings of anxiety that I was feeling, or to alleviate stress, and I think I thought it would be this thing to become a better person or become calmer and it didn’t really happen. [laughs] I didn’t really just arrive at any other new place necessarily, but it did change my relationship to my feelings of anxiety; that I held a much more compassionate space for it.

A: I had a similar experience when I first did meditation, which was I came into it wanting to feel better. And sometimes you don’t come out of an experience of meditation feeling better, because you’re actually allowing space for you to observe all of the things that are maybe making these feelings come up for you. And so it’s interesting that you talk about the arts as a catalyst for you having creative thoughts and meaning making around humanness, and then mindfulness as the container for some of those thoughts that are happening for you.

T: That’s a nice way of putting it.

A: I like that they go together for you, and they both feel very you – that one is sparking things and the other is making space for things.

T: I guess there is a dialogue then between the two, because I think I can run wired, like I can get overwhelmed by my thoughts, and this doesn’t have to do with art, but I was thinking that some of why meditation feels so human to me too is because my dad also always talked about his meditation practice growing up. 

A: He was so beyond his time, or before his time I mean!

T: I think he was getting it from hippie days, but way before this huge boom. And I remember thinking, “OK Dad, sure, great, I’m glad you have this thing you do.” But I resonate with him a lot. He and I have a lot of similar traits, character wise, just in being very introverted. So it’s also in some weird way I feel connected to him and more accepting of these traits that we both have. Growing up I also was irritated when I could see his introversion, like, “Why don’t I have a normal Dad!” So there’s something about that too that it connects to my family.

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A: How do you feel like all of this shows up for you in the therapy room?

T: I think the meditation coupled with respect for the arts –I bring sort of a reverence or a respect for people’s uniqueness – like their unique expression of what it means to be human or to be embodied in this world as a human being and a humility in not really knowing. Having maybe some ideas, ways to process through pain, but not necessarily having concrete answers right away. People come to therapy often because something is hurting, something is painful, and I think what I get from meditation and from the arts is this real understanding that pain is not pathological, that it doesn’t necessarily mean that something is wrong with you, but that you’re having a human experience. So I know that plays a lot into the work that I do with clients. And a willingness to reflect, and to reflect on my own humanness and how clients’ stories will move me, or to reflect on that and to be open to that I think it also a human thing that I bring.

A: It sounds like you bring not only all of the work that you’ve done in yourself into the room, but you also try and bring your whole self into the room as an experience. As somebody to question with. As somebody to empathize with. As somebody to be in pain with. And I feel like the way that you’re talking about mindfulness, when we bring our mind into a room and it seems open I feel like that’s contagious for other people. And it sounds like that’s a lot of the work that you’ve been doing. Just to be curious, and questioning, and also containing all at the same time.

T: Ya, at least that’s the attempt. That reminds me of the word kinship – like being in kinship with; being with. That humanness is also so much about relating to others and relating to ourselves. I love how you’re making these connections and summarizing what I’m saying very well. [laughs]

A: Well now that we’re at the end...do you feel less anxious?

T: I do! It’s funny, I can trust in showing up and letting things just flow.

A: That’s the yoga Taz coming out.

T: [laughs] That is, yes.

A: Well, I’m so glad that we were able to connect today about your views on humanness and how you bring your human self into the room. And how you use the practice of meditation not only for your own work, but for your work with your clients as well. So thank you so much for talking with me.

T: Thank you Abby, thanks for making it so comfortable.

A: You’re welcome.


Taz MorganMA, is a Registered Associate Marriage and Family Therapist, IMF #99714, working under the supervision of Vanessa Spooner, PsyD. She has trained in Depth-oriented psychotherapy and works with adolescents, adults, and couples. 


Abigail (Abby) Wambaugh, M.S., is a Registered Associate Marriage and Family Therapist, IMF #94231, working under the professional supervision of Michelle Harwell, Psy.D., MFT 50732. She specializes in treating relationship difficulties, trauma, and sexual issues.

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